Evgeny Stavinsky




Verdi - Attila 

Verdi - Macbeth (Banco)
Borodin - Prince Igor (Principe Galich)


Evgeny Stavinsky was born in the city of Dubna, Moscow region, in a family of musicians. In 2003, he completed his university-level studies as singer and choir conductor at the Academy of Choral Art (Moscow-based prestigious academy of singing founded by Victor Popov). Spent the years of 2004 to 2005 in Florence, Italy, on study course with Maggio Musicale Fiorentino where the singer performed the title part in Mozart’s Don Giovanni, as well as the parts of Lord Sidney and Basilio in Rossini’s Il Viaggio a Reims and Il Barbiere di Siviglia, and Superintendent Budd in Britten’s Albert Herring. Upon return to Russia, Evgeny Stavinsky sang in a number of recitals and concert programs, and in 2005 took up the appointment of conductor of the City Symphony Orchestra of Dubna. In 2006, joined the Moscow Novaya Opera Theatre founded by Maestro Evgeny Kolobov.

Finalist and prize winner of the Riccardo Zandonai Opera Singers Competition, Evgeny Stavinsky has been the invited singer of the Laureates Concerts in Riva del Garda, and performed in the Riva Music Festival productions including those of Verdi’s Requiem conducted by Isaac Karabtchevsky, and Verdi’s Rigoletto (as Sparafucile), conducted by Marco Boemi. Recentely the role of Méphistophélès in Gounod’s Faust  at Opera Theatre in Budapest, Oroveso in Norma by V. Bellini at Teatro Massimo in Palermo among the next engagements Raimondo in Lucia di Lammermoor by G. Donizetti at Teatro Comunale in Bologna and in July 2018 the debut at Royal Opera House Covent Garden in L’Ange de Nisida.

Parts performed

Italian opera

Oroveso in Vincezo Bellini’s Norma

Pagano in Giuseppe Verdi’s I Lombardi alla prima Crociata

Banco in Giuseppe Verdi’s MacBeth

Zaccaria in Giuseppe Verdi’s Nabucco

Sparafucile in Giuseppe Verdi’s Rigoletto

Don Magnifico in Gioachino Rossini’s La Cenerentola

Dottore Bartolo in Gioachino Rossini’s Il Barbiere di Siviglia

Betto di Signa in Giacomo Puccini’s Gianni Schicchi


Russian opera


Ruslan in Mikhail Glinka’s Ruslan and Lyudmila

Prince of Galich in Alexandre Borodin’s Prince Igor

Salieri in Nikolaï Rimsky-Korsakov’s Mozart and Salieri

Gremine in Piotr Tchaïkovsky’s Evgeny Onegin

Prince Goudal in Anton Rubinstein’s The Demon

King René of Provence in Piotr Tchaïkovsky’s Iolanthe

The Frost in Nikolaï Rimsky-Korsakov’s Snegurochka (The Snow Maiden)

Enforcement Officer in Modest Musorgsky’s Boris Godunov

Afanasy Vyazemsky in Nikolaï Rimsky-Korsakov’s Pskovityanka (The Maid of Pskov)


German and Austrian opera

Heinrich der Vogler (King Henry the Fowler) in Richard Wagner’s Lohengrin

King Mark of Cornwall in Richard Wagner’s Tristan und Isolde

Sarastro in Wolfgang Amadeus Mozart’s Die Zauberflöte

La Roche in Richard Strauss’ Capriccio


French opera

Le Monstre / Le Prince in Jacques Ibert’s Persée et Andromède

Le Fauteuil & L’Arbre in Maurice Ravel’s L’Enfant et les sortilèges

Méphistophélès in Gounod’s Faust

Oratorio, chamber and other concert works


Les Quatre chansons de Don Quichotte, by Jacques Ibert

(with symphony orchestra, conductor Jan Latham-König)

Jesus in Johann Sebastian Bach’s Johannes-Passion

Bass part in Ludwig van Beethoven’s Symphony N° 9

Bass part in Giuseppe Verdi’s Requiem

Bass part in Wolfgang Amadeus Mozart’s Requiem

Bass part in Camille Saint-Saëns’ Requiem

Bass part in Alexey Suymak’s Requiem